In February, with a timely browsing of my favorite "H" magazine, a friend and I went to Kyoto to see an exhibition by MAYA MAXX titled "For Tomorrow." I first learned of her when I saw the movie version of "Honey & Clover"---her artworks were featured as Hagu-chan's paintings. I loved her little drawings of little Aung San Suu Kyi, Audrey Hepburn, Princess Diana on large pieces of drawing paper... Then we got ourselves a little lost on the way to Sarasa, an old bath-house turned cafe. With the intricate tiles in mind, I wrote this song. [antique tiles] 「どれにしよう。」 選択肢は二つしかないのに Too many choices Too few choices 「おわりにしよう。」 簡単に口にする言葉じゃないのに Jumping to the conclusion Before opening the book コーヒーの時光に 辿り着いた昔の空間 一歩近づき 眺める　歳月の風景 安定な断片が並び 永遠は　ずっと　そこにある コンクリートの間に 色とりどりの宝石 一歩さがり 眺める　カケラの風景 脆い強さを抱え 答えは　きっと　そこにある 「とりあえず歩こう。」 ホコリが積み重なる前に 最後の光が訪れるまで探しに 行こう A place to belong to Someone to call home
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